Album Review #11 - The Corrs - "Talk On Corners" (1997)
Album Review #11
Artist: The
Corrs
Album: Talk
On Corners
Year of Release:
1997
Grade: 4.5
/ 5
Band Members
The Corrs:
Andrea Corr – lead vocals, tin whistle
Sharon Corr – violin, backing vocals
Caroline Corr – drums, bodhran, backing vocals
Jim Corr – guitars, keyboards, accordion, piano, backing
vocals
Assorted musicians on individual tracks
Background
What happens when you make a movie about a fictional
Irish soul band called The Commitments and a group of 4 siblings try out? Well, the baby girl of the family gets a
supporting role as the main character’s little sister while older brother Jim
and older sisters Caroline and Sharon had small parts as musicians. They were signed by John Hughes (not the
director but Irish musician/manager) as The Corrs. They had played together as a quartet in the
aunt’s pub in Dundalk, Ireland. After
they performed in Dublin, they were asked by the US Ambassador to play at the
1994 FIFA Cup in Boston as well as the 1996 Olympics in Atlanta. They released their first album “Forgiven,
Not Forgotten” which went to #1 in Ireland as well as platinum in the UK and
Australia (4x Platinum in Ireland).
They were under huge pressure to deliver a follow up and
that is “Talk On Corners”. They turned
the album into Atlantic Records who hated it.
They sent the group back to the studio to continue recording. The band mutinied and the label threatened to
sue them. Their manager believed in the
album so much that he basically guaranteed that the album would be
profitable. This album was no sophomore
jinx. In fact, it became one of the
largest selling albums of the 1990s as well as the biggest selling album in the
UK by an Irish band (that includes U2).
However, the album had just mediocre sales in the US.
What kind of band is this? They are a pop rock band. Not hard rock but fun, easy to listen to and
tap your foot too. Sometimes, it is easy
to listen to the critics who claim it is three very good looking girls and
their brother but they can write and perform.
Their fans are legendary.
Track Listing
1.
“Only When I Sleep” (The Corrs, Oliver Leiber,
Paul Peterson, John Shanks)
2.
“When He’s Not Around” (The Corrs)
3.
“Dreams” (Stevie Nicks)
4.
“What Can I Do” (The Corrs)
5.
“I Never Loved You Anyway’ (The Corrs, Carole
Bayer Sager)
6.
“So Young” (The Corrs)
7.
“Don’t Say You Love Me” (The Corrs, Sager, David
Foster)
8.
“Love Gives, Love Takes” (The Corrs, Dane
Deviller, Sean Hosein, Leiber, Stacey Piersa, Elliot Wolff)
9.
“Hopelessly Addicted” (The Corrs, Leiber,
Shanks)
10. “Paddy
McCarthy” (The Corrs)
11. “Intimacy”
(Neil Geraldo, Rick Nowels, Billy Steinberg)
12. “Queen
of Hollywood” (The Corrs, Glen Ballard, Deviller, Hosein)
13. “No
Good For Me” (The Corrs)
14. “Little
Wing” (Jimi Hendrix)
Review
The opening track “Only When I Sleep” begins with
an interesting guitar riff. Andrea Corr’s
vocals always sound kind sultry. The song
itself is about dreaming about their romantic partner that only exists in her
dream. So is it a fantasy or just
missing someone? That is the crux of the
song. Sharon’s violin adds a wonderful
layer.
The second track “When He’s Not Around” has the harmonies that The Corrs are known for. The song itself is about missing someone and not being able to sleep or think straight. Caroline’s drums and Jim’s guitars are more front and center in this song. Sharon’s violin deepens the track’s emotion.
The third track “Dreams” is a cover of the famous Fleetwood Mac song written and sung by Stevie Nicks. It is hard to make a track like this your own but The Corrs do it and do it well with the Celtic musical inflections. Andrea’s vocals are cleaner that the raspier Nicks. I love Sharon and Caroline’s backing vocals that are (to me) superior to Fleetwood Mac’s.
The great tracks keep coming with “What Can I Do”. It opens up with some great guitar work by Jim. It is all about unrequited love. About whether to continue pining for that person and give up and walk away. Once again, the harmonies are top notch.
“I Never Loved You Anyway” is a great song. The song opens with Sharon’s violin. The song is about a lover who is jilted and
who wants to hit back. Like “I’m glad
you’re gone” kind of thing. It has some humor
(“Valentino, I don’t think so”). I love
the penny whistle sound. Overall, this
is an incredibly strong song.
Next up is “So Young”. This is another outstanding song. Pure pop goodness! It opens up with harmonies with Caroline’s
drums providing the beat with Jim’s guitar.
Sharon primarily wrote this song about their parents who were always
young at heart. It has such an
optimistic feel.
“Don’t Say You Love Me” is a straightforward
ballad. The song is about a relationship
that has ended but the singer isn’t sure whether to try again. She wants it to last but the boy hasn’t decided
what he wants to do. Andrea’s vocals are
strong and emotive.
“Love Gives, Love Takes” is about the ups and
downs of relationships. Love hurts and
love heals. The joy of falling in love
and then the pain of falling out of love.
This is a decent song but the strength of other songs on the album
really outshines this one.
“Hopelessly Addicted” is a great song. The song itself is about seeing someone in a
new way and being blown away by it. The lead
vocals and backing vocals are top notch.
Caroline’s drums punctuate the mood.
Sharon’s violin plays beautifully in the moment.
“Paddy McCarthy” is an instrumental that shows off
their Irish folk sound. It has a feel to
it that puts a smile on your face.
The next song is “Intimacy”. This song is just an ok song for me. It is about being in a close relationship but not an intimate one. While I appreciate the vocals and instrumentation, it fails to move me.
“Queen of Hollywood” is a wonderfully sung track about the tragedy of dreams. About a girl who wants to be a star but finds herself in prostitution. It is a haunting tale. Andrea’s vocals are filled with emotion. Caroline, Sharon, and Jim’s backing vocals provide a good backdrop.
“No Good For Me” is about a misplaced love. The singer loves someone who loves someone
else. Wanting to be held and loved while
knowing that he truly loves someone else.
The album closer “Little Wing” is a cover of a Jimi
Hendrix song (also covered famously by Cream). With a Celtic influence rather
than a pseudo-psychedelic version of the original, it really transforms the
song. It provides a modern ballad take
of the song. The understated guitar by
Jim provides unexpected power to the song.
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