Album Review #18 - Roger Daltrey - "McVicar" (1980)
Album Review #18
Artist: Roger Daltrey
Album: McVicar
(soundtrack)
Year of Release:
1980
Grade: 4 /
5
Band Members
Roger Daltrey – vocals
Pete Townshend – guitar
Ricky Hitchcock – guitar
Billy Nicholls – guitar
Jo Partridge – guitar
John Entwistle – bass
Herbie Flowers – bass
Dave Markee – bass
John Bundrick – keyboards
Ken Freeman – keyboards
Ron Aspery – flue
Kenney Jones – drums
Dave Mattacks – drums
Stuart Elliott – drums
Frank Ricotti – percussion
Tony Carr - percussion
Background
Roger is famous as the lead singer and founding member of
The Who. During a break from The Who,
Daltrey made a movie starring himself as John McVicar, a British criminal. Daltrey had previously recorded a song called
“The Prisoner” based on the McVicar case (https://en.wikipedia.org/wiki/John_McVicar).
Daltrey had previously starring in the
movie “Tommy” based on The Who’s rock album of the same name. The McVicar film
was successful in the UK but not very successful elsewhere.
While this album is actually a soundtrack to the movie
and not the typical solo album. This was
his third album outside of The Who. The
remaining members of The Who participated in the album (Pete Townshend, John
Entwistle, and Kenney Jones).
Track Listing
1.
“Bitter And Twisted” (Steve Swindells)
2.
“Just A Dream Away” (Russ Ballard)
3.
“Escape, Part 1” (Jeff Wayne)
4.
“White City Lights” (Billy Nicholls, Jon Lind)
5.
“Free Me” (Ballard)
6.
“My Time Is Gonna Come” (Ballard)
7.
“Waiting For A Friend” (Nicholls)
8.
“Escape, Part 2” (Wayne)
9.
“Without Your Love” (Nicholls)
10. “McVicar”
(Nicholls)
Review
The opening track “Bitter And Twisted” is a hard
driving rocker. Daltrey’s vocals have a
snarling quality. The keyboards and guitars provide a great opening riff. While this may not be a great song, it is an
enjoyable one. The horn-ish sounds add
another layer of complexity.
“Just A Dream Away” is a wonderful ballad. It is a song about the strength of a
relationship across long distances.
While Daltrey is primarily known for his rock songs with The Who, he
does a fantastic job on ballads like this one.
It starts with a simple piano then adds layers as it goes.
“Escape Part 1” is an instrumental track. Considering that Daltrey is known as a
vocalist, an instrumental falls more into the soundtrack of this album. That being said, it is a pretty good track. It does have a dated feel 40+years later.
“White City Lights” is probably the weakest song
on the album. It has a country type
feeling to it that feels a little out of place for Daltrey and for a crime
drama. It isn’t that it is a terrible
song but just that it feels out of place.
“Free Me” is probably the biggest hit off the
album by rock radio play. It is
reminiscent of his scream in “Won’t Get Fooled Again” by The Who. It is an angry sounding vocal and it really
comes across emotionally. This is a hard
charging rocker as The Who have ever recorded.
“My Time Is Gonna Come” opens with a funky beat
then adds keyboards. It is a harder driving
song. The vocals seem rushed like too
many words but not enough time to get them in.
I do enjoy the song but it is in the middle set of songs for this album
if I were to rank it. Strangely, I like
the instrumentation portions over the vocals.
“Waiting For A Friend” is a really good song but
not likely to be on anyone’s favorite Daltrey solo songs. It has quite a bit of a Who feeling to
it. There is some great guitar work. It is a medium tempo rocker. Daltrey’s vocals almost always have an angry
quality to it except on his ballads.
“Escape Part 2” is very similar to the Part 1 take
of the song. It has a more synthesized
feeling to it. It is an instrumental as well.
“Without Your Love” is probably my favorite
Daltrey solo song. It is also his best charting
solo song. It has simple instrumentation
but matches the vocals beautifully. It
is a wonderful sequel to “Just A Dream Away”.
It is about the strength of each other’s love.
“McVicar” could have been a straight up Who
song. It has the hooks that The Who are
most famous for – great vocals, power chords, and pounding beat.
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